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・ Rodolfo Terlizzi
・ Rodolfo Terragno
・ Rodolfo Teófilo
・ Rodolfo Teófilo, Fortaleza
・ Rodolfo Tommasi
・ Rodolfo de Almeida Guimarães
・ Rodolfo de Anda
・ Rodolfo De Benedetti
・ Rodolfo de Álzaga
・ Rodolfo Dieseldorff
・ Rodolfo Dorador
・ Rodolfo Dubó
・ Rodolfo Echeverría Ruiz
・ Rodolfo Elizondo Torres
・ Rodolfo Emilio Giuseppe Pichi-Sermolli
Rodolfo Enrique Fogwill
・ Rodolfo Escalera
・ Rodolfo Espinoza
・ Rodolfo Esquivel Landa
・ Rodolfo Esteban Cardoso
・ Rodolfo Falcón
・ Rodolfo Fernandes
・ Rodolfo Fernández (footballer)
・ Rodolfo Ferrari
・ Rodolfo Fierro
・ Rodolfo Filipe
・ Rodolfo Fischer
・ Rodolfo Flores
・ Rodolfo Fortino
・ Rodolfo Freitas da Silva


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Rodolfo Enrique Fogwill : ウィキペディア英語版
Rodolfo Enrique Fogwill

Rodolfo Enrique Fogwill (July 15, 1941 – August 21, 2010), who normally went only by his surname, Fogwill, was an Argentine short story writer, novelist, and businessman. He was a distant relative of the novelist Charles Langbridge Morgan. He was the author of ''Malvinas Requiem'', one of the first narratives to deal with the Falklands War. Fogwill died on August 21, 2010, from a pulmonary dysfunction.
==Biography==

Fogwill was born in Buenos Aires, and became a professor at the University of Buenos Aires. He published a poetry book collection; he was an essayist and a columnist specializing in communications subjects, literature, and cultural politics. The success of his story "Muchacha punk" (Punk Girl), which received the first prize in a literary contest in 1980, allowed him to leave his job as a businessman, and began what he called "a plot of misunderstandings and misfortunes" that led him to become a writer.
Some of his stories have appeared in anthologies in the United States, Cuba, Mexico, and Spain. He is particularly notable for the short novel ''Malvinas Requiem'' (''Los pichiciegos''), which was one of the very first narratives to deal with the Falklands War between Argentina and the United Kingdom, and is written from the point of view of young Argentine conscripts. More generally, Erin Graff Zivin notes that in much of his work, Fogwill is concerned with "marginal subjects": in ''Vivir afuera'', for instance, these include "'Jews,' HIV-positive patients, drug addicts, prostitutes, and impoverished artists."〔Erin Graff Zivin, ''The Wandering Signifier'' 43〕

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